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East London Times (ELT) > Local East London News > Hackney News > Access to Work Grant Funding Concerns Raised in Hackney 2026
Hackney News

Access to Work Grant Funding Concerns Raised in Hackney 2026

News Desk
Last updated: September 19, 2026 10:48 am
News Desk
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Access to Work Grant Funding Concerns Raised in Hackney 2026
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Key Points

  • Meg Hillier MP, representing Hackney South and Shoreditch, has raised critical concerns regarding the limitations of the government’s Access to Work funding scheme.
  • Hillier highlighted the essential role played by the Hoxton-based Graeae Theatre Company, an organisation led by deaf, disabled, and neurodivergent professionals that has advocated for disabled artists for over 45 years.
  • Current operational rules and grant caps within the Access to Work scheme do not always meet the total financial requirements of full-time, high-level creative roles.
  • Full-time British Sign Language (BSL) interpretation costs frequently reach the annual scheme cap of £69,920, creating administrative and financial hurdles for senior leaders.
  • Hillier has invited Department for Work and Pensions ministers to visit Graeae Theatre Company to examine firsthand how the organisation supports disabled workers into employment.

Hackney (East London Times) September 19, 2026 — Meg Hillier, Member of Parliament for Hackney South and Shoreditch, has expressed formal concerns regarding the structural financial limits of the government’s Access to Work programme. Writing in her constituency column for the Hackney Gazette, Hillier emphasised that world-class artists, photographers, chefs, musicians, and actors reside in the borough, yet face systemic barriers when attempting to access essential workplace adaptations.

Contents
  • Key Points
  • Why is the current Access to Work cap insufficient for full-time executive roles?
  • What parliamentary actions are being taken to address Access to Work delays and reductions?
  • Background of the Access to Work scheme and Graeae Theatre Company
  • Prediction: How will these funding challenges affect deaf and disabled professionals?

Highlighting a specific local case, Hillier noted that Graeae Theatre Company—a venue located in a converted stable house near Hoxton station—serves as a vital institution within the constituency. As reported by Meg Hillier of the Hackney Gazette, Graeae has operated for more than 45 years as one of the country’s first theatre companies led by deaf, disabled, and neurodivergent individuals, offering international performances and workshops that advance the rights and careers of disabled performers.

Why is the current Access to Work cap insufficient for full-time executive roles?

Addressing the structural constraints of the welfare programme, Hillier explained that while Access to Work remains an essential lifeline, the funding cap often fails to cover the actual costs incurred by professionals requiring full-time support. In parliamentary records from the House of Commons, Meg Hillier MP stated that “at the high end of the scale, it can sometimes be more expensive,” pointing out that senior figures in the arts sector require continuous support to execute their professional roles.

As reported by official Hansard parliamentary records, Hillier stated that a senior executive running Graeae Theatre requires British Sign Language (BSL) interpretation at all times, causing support needs to hit the statutory Access to Work cap, which sits at £69,920 per year. According to Hillier, even when maximum grant levels are awarded, the funding is insufficient to cover total operational requirements for full-time, high-level leadership.

What parliamentary actions are being taken to address Access to Work delays and reductions?

The concerns raised by Hillier follow broader parliamentary debate surrounding processing delays and award reassessments under the Department for Work and Pensions (DWP). During oral questions on Work and Pensions in the House of Commons, Parliamentary Under-Secretary of State for Work and Pensions Sir Stephen Timms addressed enquiries regarding award adjustments, stating that “there has been absolutely no change in the policy on Access to Work, but there has been more scrupulous application of the existing policy and guidance over the last year.” Timms acknowledged that this administrative approach has resulted in cases where individual support awards were reduced.

During the same parliamentary session, Shadow Minister for Work and Pensions Helen Whately raised questions regarding application backlogs, stating that “waiting times have increased to an average of 93.6 days.” In response, Sir Stephen Timms stated that the government has added 118 processing staff to handle Access to Work applications in an effort to clear backlogs and streamline delivery for applicants nationwide.

Background of the Access to Work scheme and Graeae Theatre Company

The Access to Work scheme is a publicly funded UK government programme managed by the Department for Work and Pensions. Introduced to assist practical support for disabled people entering or remaining in employment, the grant covers costs beyond reasonable employer adjustments, including specialized equipment, support workers, travel costs, and BSL interpreters.

Founded in 1980 by Nabil Shaban and Richard Tomlinson, Graeae Theatre Company was established to challenge social attitudes and provide accessible employment opportunities for deaf and disabled theatre practitioners. Operating out of the Bradbury Studios in Hoxton, Hackney, the company champions accessibility through integrated sign language, audio description, and creative access methods in theatrical productions.

Prediction: How will these funding challenges affect deaf and disabled professionals?

If the current Access to Work grant limits and processing delays remain unadjusted, deaf and disabled professionals holding executive or full-time roles may experience increased financial strain and administrative barriers. For creative institutions and businesses employing disabled personnel, fixed funding caps could force employers or individuals to absorb supplementary access costs out-of-pocket, potentially limiting the progression of disabled leaders into senior, full-time positions across the cultural sector.

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